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Education

1973    BArch Science (Physics), University of Waterloo

1977    BArch. Environmental Studies (Pre-Professional Arch.), University of Waterloo

1979    BArch. Architecture, University of Waterloo                                                             

1973-1979 Attended Courses in the Fine Arts program at the University of Waterloo

1975-1978 History of Art in 4year Cultural History program(i.e.450BC to Present)

Solo Exhibitions 

2018     Art Gallery of Sudbury,” Finding the Space, Finding the Figure                    

2016     Open Studio, Sudbury

1998     “97/6 Suite - New Work”, Laurentian University

1996     La Galerie du nouvel - ontario center  d’artistes, Sudbury

1992     “My People: Recent Works”, Laurentian University Museum and Art Centre, Sudbury

 

Group Exhibitions

2009     sUBSTANTIAL RESOURCES, Art Gallery of Sudbury : Curated by Mary Sue Rankin

2005     ‘Trip the Switch”, Art Gallery of Sudbury

2001     Off 17 – on the verge, Art Gallery of Sudbury

1999     The Sudbury Basin: Industrial Topographies, Art Gallery of Sudbury

1998     Northern Visions, Art Gallery of Sudbury, Juried Exhibition

1997     Guest Artist -Toronto, suite of  Rick Bartolucci M.P.P.

1997     “Sudbury Art Now”, Art Gallery of Sudbury

1992     “Dream Pipe de Reves”, Vacant Commercial Space, Sudbury

(Dennis Castellan, Ray Laporte, Luc Robert, Doug Donley)

1991     “Visual Arts of Sudbury - Sudbury Artists Retrospective”, Laurentian University Museum and Art Centre, Sudbury

1990     “Figure Drawings”, Carrefour Francophone, Sudbury

1988     “Five Artists”, V.I.P. Lounge, Work Junior Olympics, Laurentian University, (Dennis Castellan, Ray Laporte, David Blake, Bruno Cavallo, Gail Balfe)

1987     “Figure Drawings”, The Attic Sudbury (LUMAC)

“Figure Drawings”, Le Centre des Jeunes, Sudbury

Grants 

1999     Ontario Arts Council, Exhibition Assistance Grant

1998     Ontario Arts Council, Exhibition Assistance Grant

1992     Ontario Arts Council, Exhibition Assistance Grant

Reviews

2017     Sudbury Living Magazine

1999     Art and the Cityscape”,(Laurence Steven), Highgrader Magazine, Summer 1999

1998     “Northern Visions Features Many Fine Works, Sudbury Star (Rob O’Flannagan)

1996      Sudbury Star (Rob O’Flannagan)

1992      “Superstack surveyed”, Sudbury Star (Carolyn Fouriezos)

1992      “Castellan Exhibit has ‘poetic base’”, Sudbury Star (Chris Grant)

1989     “Drawing Show Well Attended”, Sudbury Star (David Paton)

Exhibition Catalogues

The Sudbury Basin: Industrial Topographies (1999) , Art Gallery of Sudbury

Commercial Gallery

Dennis was  represented, in the past, by the Joan Ferneyhough Gallery, North Bay

Other

§  One of three artists short listed as a  finalist  for the Spanish War Memorial, Ottawa, Capital Hill (2001).An invited international competition for a memorial commemorating  Canadians who fought for Spain in the Spanish war of 1939.

§  Paintings (3) hanging in the Superior Court of Justice (Sudbury)

§  Jury member on various juried art programs

§  Paintings in numerous private and corporate collections

§  Public Lectures given at Solo Exhibitions

§  Board Member at LUMAC(Laurentian University Museum and Arts Centre),predecessor to the Art Gallery of Sudbury

§  Founding Board Member of Art Gallery of Sudbury

About

finding the figure, finding the space.
space finds the figure, the figure finds the space.

‘Finding’ comes from an intentionally provocative process that begins either with a figure , or figures, which generates a spatial field - or, by first creating a spatial field and then allowing the figures to ‘find’ a place in that space.

In this way the gestural nature of line/form/figure and a   space, together, create an emotionally charged  image. It’s an iterative building up and building together process.

This approach relies on the power and suggestiveness of the figure, as a searching inquisitive line, or form, and the power and suggestiveness of the space of the picture plane evolving together. The space of being in, around and between are all fundamental to the work. My approach is relational and it’s ‘open’.

The natural and human - made are both equally  important and critical to my work. I also shift back and forth from paintings with and without the human form  in order to expose techniques, materials and expression.

The ‘figure’, for me, is a human figure, an object or  building(s)/structure(s) in a spatial field that ranges from landscape to white space.

Work in recent years is dominantly ‘black on white’, intentionally eliminating  colour, thereby creating  a new propositional platform for finding and expressing.